After last year releasing my piece ‘Fly High on All Hallows Eve’ to celebrate Halloween 2018, I decided this year I wanted to go one better and do a series for Halloween 2019, all based on the theme ‘The Witching Hour’.
I set my mind racing and conjuring up different ideas of what has taken place on Halloween throughout time. Ancient rituals, animals which have become synonymous with Halloween, and medieval takes on witchcraft and it’s surrounding imagery. A large inspiration was exhibitions like Spellbound at the Ashmolean, but also my countless books, which have plenty of historical reference material to spark the senses.
There was quite a lot of complex (and to my mind well considered) thought behind each piece and it’s development. Largely one goal I wanted to achieve was to create my own Witch riding a flying goat piece, as it’s such an iconic image in the history of Witchcraft. This was one of the main aims of the series, but in the end it became so much more and took on a life of its own all reflecting what goes on under the moonlit sky.
In the end the series wound up being the 5 pieces you see here today. But that doesn’t mean to say there wasn’t more ideas! I had thumbnail sketches around the theme of ‘the witch and her familiars’ as well as more mystical animals to unleash. But unfortunately I simply ran out of time. I knew the series had to be complete well before Halloween, especially if I was to have cards printed of the designs. So, these unfinished pieces will, for now, remain in their embryonic state. Perhaps I’ve got a head start for next Halloween!
‘The Witching Hour’ is now available as A4 prints (individually or as a set of 5) and select designs are available as postcards and greeting cards! Check them out here!: https://www.etsy.com/uk/shop/DanseMacabreUK
Showing posts with label Crow. Show all posts
Showing posts with label Crow. Show all posts
Thursday, 24 October 2019
'The Witching Hour' series
Labels:
Bat,
Cauldron,
Crow,
demon,
demons,
Dip pen,
Folklore,
goat,
Halloween,
macabre,
Moon,
Night sky,
Occult,
occult art,
Raven,
Satanic,
The Witching Hour,
Trees,
witch,
Witchcraft
Wednesday, 3 October 2018
The Alchemy Series
Recently I have been hard at work on the sometimes painfully detailed Alchemy series. While I think quite easily I could keep on going with this series and dreaming up more weird and wacky designs and picking even more of my favourite creatures to feature I decided to call a halt on it at 6, as its a nice round number and a number of different eco-systems and creatures have been covered.
Originally the Alchemy series was born out of the twisted take on the idea of being a creator. My idea of some ancient fellow using mysterious magic and methods long lost to modern man to create these curious creatures prevailed throughout the series and often led me to pursue some of the more bizarre creations nature has to offer. Each creature sits inert in the bottle of their birth, surveying their surroundings and place in the world. This mere man, a magician or a deity depending on your perspective, has unleashed these curious creatures upon us through the power of his alchemic practice. Does his ancient practice make him a god? Or are all those whose imagination knows no bounds capable of creation?
The series was a truly mammoth undertaking with over 130 hours work creating the final pieces and countless hours of photoshop work preparing them for print.
The Alchemy series is available to buy as a set of A4 prints, or individually, to check them out Click here!
Originally the Alchemy series was born out of the twisted take on the idea of being a creator. My idea of some ancient fellow using mysterious magic and methods long lost to modern man to create these curious creatures prevailed throughout the series and often led me to pursue some of the more bizarre creations nature has to offer. Each creature sits inert in the bottle of their birth, surveying their surroundings and place in the world. This mere man, a magician or a deity depending on your perspective, has unleashed these curious creatures upon us through the power of his alchemic practice. Does his ancient practice make him a god? Or are all those whose imagination knows no bounds capable of creation?
The series was a truly mammoth undertaking with over 130 hours work creating the final pieces and countless hours of photoshop work preparing them for print.
The Alchemy series is available to buy as a set of A4 prints, or individually, to check them out Click here!
Tuesday, 11 April 2017
Art in Focus 'The Chariot'
'The Chariot' card is all about challenge, control and conquest. Through your strong will, dedication and determination you will be successful and victory will certainly be yours. The challenges which you face will only serve to increase your strength and willpower. 'The Chariot' ultimately pushes you down the path you are already pursuing, there is no room for doubt and the stamina needed is immense. You must commit to your cause with unquestioning dedication, drive and confidence, and then you shall triumph. Ultimately 'The Chariot' is the card of hard control, of ego, confidence, anger and self discipline. The card tells us that it is time to be firm, determined and direct, but all in the correct measures.
Traditionally the imagery of 'The Chariot' was rather simple and as you might imagine featured exactly that. A chariot, usually horse drawn, and a strong male figure riding the chariot. Many Tarot decks continue this interpretation, often with subtle changes. The Rider-Waite deck maintains the basic principles of the cards imagery, while enhancing it with symbolism such as moons, stars, symbols of alchemy, rejection of civilisation and most notably replaces horses with sphinx. 'The Chariot' is one of the cards that I felts name alone left little room for reinterpretation, so some consideration was required to put my own mark on the imagery of the card.
When designing my Chariot I wanted to maintain some elements of the traditional imagery of the card, such as including an actual chariot in some way, and quite liked the Roman imagery the word alone evokes, but I also wanted to give the card a quirky twist to make it unusual and different. I feel compared to early Tarot, Rider-Waite did exactly the same thing with this card by adding a lot of deep symbolism to what was originally a quite simple card in its imagery. I decided to deliver my twist through the use of a recurring element in my series; the Crow. Having previously used the image of my favourite bird to deliver messages of wisdom, knowledge and faint mockery, I now decided they could be a symbolic mode of transport (well the engine at least) as well. I liked the thought that rather than having horses like an actual chariot, and the early imagery in Tarot, the concept of being drawn by giant Crows was rather interesting, as they provide the possibility to travel both on land and in the air. This gave the piece the semi-surreal and fantastical atmosphere which I was aiming for. The giant Crows also represent positive and negative, yin and yang, as one of the crows is Albino, creating balance between the pair. I chose to include a Crow in the design of the Chariot itself, suggesting that the figure is not enslaving the Crows, more worshiping and respecting them. Though the Crows are bound to the chariot with a golden harness and rope (which was intended to suggest magic and mystery) the Chariots rider is not holding the harness, it is guarded and entrusted to the chariot itself and its crow mascot.
The Chariot's rider was intended to look vaguely like a Roman solider, with his red cape representing anger, his strong physique representing strength and his golden laurel representing knowledge, however I realised after drawing the piece I had unintentionally made him look vaguely like Jim Morrison, so I quite fittingly now call him 'The Rider on the Storm', which worked out in a strangely apt way. It can be bizarre how these things come together.
I wanted to keep the landscape of the piece quite plain as the main focus was intended to be the Chariot itself, however I did use the sky to increase the sense of the scene being set in a strange, magical place. The sunset and full moon was intended to give the impression that what is being witnessed is important and a momentous moment is just about to occur as The Chariot rides on the storm.
Traditionally the imagery of 'The Chariot' was rather simple and as you might imagine featured exactly that. A chariot, usually horse drawn, and a strong male figure riding the chariot. Many Tarot decks continue this interpretation, often with subtle changes. The Rider-Waite deck maintains the basic principles of the cards imagery, while enhancing it with symbolism such as moons, stars, symbols of alchemy, rejection of civilisation and most notably replaces horses with sphinx. 'The Chariot' is one of the cards that I felts name alone left little room for reinterpretation, so some consideration was required to put my own mark on the imagery of the card.
When designing my Chariot I wanted to maintain some elements of the traditional imagery of the card, such as including an actual chariot in some way, and quite liked the Roman imagery the word alone evokes, but I also wanted to give the card a quirky twist to make it unusual and different. I feel compared to early Tarot, Rider-Waite did exactly the same thing with this card by adding a lot of deep symbolism to what was originally a quite simple card in its imagery. I decided to deliver my twist through the use of a recurring element in my series; the Crow. Having previously used the image of my favourite bird to deliver messages of wisdom, knowledge and faint mockery, I now decided they could be a symbolic mode of transport (well the engine at least) as well. I liked the thought that rather than having horses like an actual chariot, and the early imagery in Tarot, the concept of being drawn by giant Crows was rather interesting, as they provide the possibility to travel both on land and in the air. This gave the piece the semi-surreal and fantastical atmosphere which I was aiming for. The giant Crows also represent positive and negative, yin and yang, as one of the crows is Albino, creating balance between the pair. I chose to include a Crow in the design of the Chariot itself, suggesting that the figure is not enslaving the Crows, more worshiping and respecting them. Though the Crows are bound to the chariot with a golden harness and rope (which was intended to suggest magic and mystery) the Chariots rider is not holding the harness, it is guarded and entrusted to the chariot itself and its crow mascot.
The Chariot's rider was intended to look vaguely like a Roman solider, with his red cape representing anger, his strong physique representing strength and his golden laurel representing knowledge, however I realised after drawing the piece I had unintentionally made him look vaguely like Jim Morrison, so I quite fittingly now call him 'The Rider on the Storm', which worked out in a strangely apt way. It can be bizarre how these things come together.
I wanted to keep the landscape of the piece quite plain as the main focus was intended to be the Chariot itself, however I did use the sky to increase the sense of the scene being set in a strange, magical place. The sunset and full moon was intended to give the impression that what is being witnessed is important and a momentous moment is just about to occur as The Chariot rides on the storm.
Monday, 5 October 2015
Derby Folk Festival
This weekend saw my first solo event as an artist displaying and selling my artwork, cards and prints at Derby Folk Festivals Arts and Craft Fair. The weeks leading up to the Folk Festival had been nerve wracking to say the least, filled with lots of preparation and fear of the unknown.
The three day event was an exciting, colourful celebration of individuality and self expression, by countless musicians, artists and crafters. I was visited by many wonderful people throughout the weekend, excited by the event, the music and the atmosphere. A huge thank you to all the people who took the time to visit my stall, for your kind, encouraging words and for your purchases. You all made the weekend a great one!
Major thanks to my friends and family for all their support leading up to the event, to my Partner for making everything from POS to frames and being there beside me all weekend and to everyone that visited me over the weekend! Without all of you this wouldn't have been possible.
Many thanks! I hope to see you all an another event soon!
The three day event was an exciting, colourful celebration of individuality and self expression, by countless musicians, artists and crafters. I was visited by many wonderful people throughout the weekend, excited by the event, the music and the atmosphere. A huge thank you to all the people who took the time to visit my stall, for your kind, encouraging words and for your purchases. You all made the weekend a great one!
Major thanks to my friends and family for all their support leading up to the event, to my Partner for making everything from POS to frames and being there beside me all weekend and to everyone that visited me over the weekend! Without all of you this wouldn't have been possible.
Many thanks! I hope to see you all an another event soon!
Labels:
Animals,
art,
Craft,
Crow,
Danse Macabre,
Derby Folk Festival,
Fair,
Fox,
goat,
Magic,
Occult,
Owls,
Satanic,
Sinister,
witch
Sunday, 27 September 2015
'Divinus animalia' Prints
Exciting developments have been taking place in the Danse Macabre studio. After the investment in my own behemoth of a giclee printer; 'The Beast' I am now pleased to say I can offer Limited Edition prints of my artwork, starting with the 'Divinus animalia' range.
'Divinus animalia' series is inspired by the historical symbolism of animals, and uses the characters created to portray the supernatural. The resulting creatures; the 'Divinus animalia' are both the evil and divine. These creatures should be worshiped, and feared, in equal measure.
So if you're interested in bagging yourself a Limited Edition print of one of these curious characters, head on over to the Etsy for a closer look ...
https://www.etsy.com/uk/shop/DanseMacabreUK?section_id=17927965&ref=shopsection_leftnav_3
'Divinus animalia' series is inspired by the historical symbolism of animals, and uses the characters created to portray the supernatural. The resulting creatures; the 'Divinus animalia' are both the evil and divine. These creatures should be worshiped, and feared, in equal measure.
So if you're interested in bagging yourself a Limited Edition print of one of these curious characters, head on over to the Etsy for a closer look ...
https://www.etsy.com/uk/shop/DanseMacabreUK?section_id=17927965&ref=shopsection_leftnav_3
Sunday, 2 August 2015
Raven Haven
Recently I began the preliminary work for a new in depth, detailed series of artworks, but while I develop my ideas in more depth I have been taking the opportunity to realise a few neglected design ideas, which have come in many different shapes and sizes. As well as finally painting a haloed Raven, Ive also been able to unleash some previously unreleased artwork as cards, as well as restock on some previously released owl cards which have been long sold out.
So check out the webstore for the largest range of cards to date! The return of some feathered fiends, the appearance of the previously unreleased 'Wise Crow' and the brand new beautifully bold 'Corvus Corax: Tertius Oculus' (Raven: Third Eye).
So check out the webstore for the largest range of cards to date! The return of some feathered fiends, the appearance of the previously unreleased 'Wise Crow' and the brand new beautifully bold 'Corvus Corax: Tertius Oculus' (Raven: Third Eye).
Monday, 28 July 2014
New card series
New cards
featuring my original artwork are now available to buy from the online store at:
http://dansemacabredesigns.bigcartel.com/
The new cards feature work from my Sanctus Strix series, inspired by the ancient symbolism of the owl throughout history, and their relation to good and evil in a number of cultures.
The crow also makes a fleeting appearance within the collection of cards, with two designs featuring artwork from my new, reworked series of expressive crow portraits.
http://dansemacabredesigns.bigcartel.com/
The new cards feature work from my Sanctus Strix series, inspired by the ancient symbolism of the owl throughout history, and their relation to good and evil in a number of cultures.
The crow also makes a fleeting appearance within the collection of cards, with two designs featuring artwork from my new, reworked series of expressive crow portraits.
Sunday, 21 July 2013
Corvus
Crows have long been an artistic obsession of mine and are amongst my favourite subjects to draw. I have always felt a certain affinity towards crows. I admire their intelligence, their role in history and folklore and sympathize with their undeserved historical reputation as a bad omen and sign of evil.
In an attempt to capture the wonderful characters and personalities of my favourite bird I am currently working on a series crow portraits, in which each crow represents a different emotion or character trait. There is something about this bird which I find absolutely delightful, and I never fail to smile whenever I see a crow, and I never tire of drawing these incredibly beautiful creatures.
In an attempt to capture the wonderful characters and personalities of my favourite bird I am currently working on a series crow portraits, in which each crow represents a different emotion or character trait. There is something about this bird which I find absolutely delightful, and I never fail to smile whenever I see a crow, and I never tire of drawing these incredibly beautiful creatures.
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