A couple of years ago I began work on my own Demonology. To indulge in a
little change and experimentation I decided to complete the works in
pigment liner on white paper, a departure from my usual mixed media (or
biro) on coffee stained paper. Once the pieces were complete I felt
something was a little lacking and I hadn't quite achieved what I
wanted. The designs themselves I was happy with, just not the end
result. The pieces went into a drawer and remained an unitched scratch
... Until now.
After completing my Tarot series I began tying up
some lose ends and began to consider which artworks and ideas Id like to revisit before my
next mammoth series began. One thing I had always wanted to rework and
do justice was my Demonology, and the time felt right.
I began
reworking my Demons alongside researching symbolism for my next big
series in an effort to balance research and practical work. I decided to approach the series from an illuminated manuscript
angle, using rich, decadent colours, gilding and hoping the end result
wouldn't look out of place in a medieval religious text. I'm currently
striving to improve on my original designs in any way possible and make
my new Demonology series a triumph to be proud of ...
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